1808 Seltzer

For this label design, 1808 isn’t just a date—it’s a constraint. A lens. What would this brand look like if it had actually existed then?

That question led to a visual vocabulary drawn from:

  • Folk carvings

  • Apothecary marks

  • Tavern signage

  • Agricultural symbols

  • Hand-inked marginalia

Refined into something that feels both historic and immediate.

Sketches, lettering, and color studies for the 1808 Seltzer label system

Rather than illustrating three separate labels, I built a modular illustration library.

  • Birds, animals, tools, homes, flora

  • Each is drawn and painted in a consistent line language

  • Each can repeat, remix, and scale across media

These “icons” wrap the bottles like artifacts, small clues that suggest a larger world beyond the glass.

1808 Blood Orange Seltzer label with hand-painted fruit and illustrated historical symbols
1808 Fresh Lime Seltzer label with hand-painted limes and illustrated historical symbols
1808 Cherry Vanilla Seltzer label with hand-painted cherries and illustrated historical symbols

Outcome: Every flavor feels distinct, but undeniably part of the same place.

This isn’t just a set of labels. It’s:

  • A brand language

  • A repeatable system

  • A world that can expand into packaging, merchandise, environments, and storytelling.

When you build the world first, the brand always has somewhere to go.

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